Sangraal Foundation - Player's Resource Guide (Employee Handbook)

Current Assignment:  Theseus and the Minotaur

Theseus and the Minotaur

 

 

 

 

 

 

 

 

 

 

 

 

 

Dr. Dyer's briefing in full:

"Greek mythology tells us that a hero, Theseus, the son of Aethra and
Poseidon, took his birthright as son of Aegeus of Athens. The
Athenian's had been vanquished in war by King Minos of Crete, who
demanded every nine years that Athena send seven young men and seven
young women who were destined to be sacrifices to the Minotaur, a
half-bull, half-man creature that lived in an inescapable labyrinth. "

"As the legend goes, with the help of Aradne, daughter of King Minos,
Theseus was able to kill the Minotaur, escape the labyrinth, and sail
home to Athens with the sacrificial victims. However, he did abandon
Aradne, and thus caused his father, Aegeus to commit suicide. "

"Legends are often the inspiration for artists, and this legend is no
exception. One of the greatest statues was by the French sculptor
Antoine-Louis Barye. His bronze can be seen in the Louvre, in Paris."

"What is not known, however, is that the Bronze was a test for the
real statute that Barye was commissioned to make. This one was of
gold, with precious gems. It was commissioned by Marcus Goodenough,
the 3rd Earl of Grimsby, as a gift to his wife, a student of ancient
Greece. This was passed down within the family as one of the great
treasures of the family's extensive art collection. Marcus's
grandson, Mark, was a man who loved the sea, and spent many months
sailing in the Mediterranean. This is where our story follows the
classic Greek tragedy. In the summer of 1932, Earl Grimsby's yacht
was attacked by a pirate, Zoltan the Magyar. This man killed
everyone on the yacht, except for the young daughter, Amy Goodenough,
who remained his prisoner for several years, finally escaping and
returning to England in 1936. She was unharmed, but became a
recluse. I will have more to say on her later."

"At the same time as this, there arose a man, 'Count Ugo of
Sardinia', a criminal art thief and fence, who sought to create a new
criminal empire that would stretch throughout all of Europe. He
named this organization the Millenaria. This name should be familiar
to those of you who have studied secret Italian societies. The
original Millenaria arose in the mid-15th century as a means to
restore the Roman empire to it's original greatness. Members were
marked with the double 'M' symbol. Of course, they were hunted down
and by 1602, the last bastion of Millenaria were arrested, tried and
executed, but I digress."

"Zoltan sold the statue of Thesis and the Minotaur to Ugo, as well as
the information he had obtained from Amy regarding the art collection
in England. This lead Ugo to send a group of criminals to steal this
extensive collection and return it to his possession. Working with
Zoltan and others, Ugo continued to send out groups of criminals to
steal artwork and other precious commodities around Europe. In 1934,
Ugo constructed his own town, called Carnifex. Here, in the Nuoro
province of Sardinia, near the town of Piras, he constructed a huge
dam to generate hydroelectric power for his now town."

"Unfortunately, he was not such a good engineers, and in 1936, the
dam was destroyed and the village of Carnifex, Ugo, and the
Millenaria were destroyed, along with several hundred million pounds
worth of artwork. To this day, no one has been able to gain access to
the ruins, because they are fiercely protected by the locals, who run
off any foreigners, including members of the Italian police. "

Dr. Dyer paused, while an image of a statue of filled your
screens. "Three weeks ago this statue appeared on the market. As
you can imagine, we obtained it and performed an analysis of it. It
was, of course, a forgery, a very clever and well done forgery. Our
analysis indicates that it was done from the original using the
lost-wax method. This of course, means someone has access to an
original. Since the original bronze is in the Louvre, the only other
option is the Goodenough golden statue. "

"This suggests that someone may have had access to the ruins at
Carnifex. This also suggests as has been rumored that Ugo had a
special chamber built to secure and store his ill-gotten gains. We
do not know the full extent of what may be there."

"There is an interesting side-bar, and that is Amy Goodenough
herself. After returning to England, she lived her days alone. We
have a report from her maid that she is a diarist, filling volumes of
information that no one has seen. Three days after we purchased the
forgery, a lawyer representing Miss Goodenough demanded we return it
to her. We have claimed ownership for historical preservation, and
have tied this up in court, which has given us more
time. Researchers are trying to determine where this forgery was made. "

"You are charged with recovering the original golden Theseus and the
Minotaur statue, as well as identify where Ugo's final treasure
resting place is. Ideally, you'd get a preliminary survey of these
treasures."

"The fence that sold us the statue is in London, which means you can
also visit Miss Goodenough and see if you can gain access to her
diaries. Our psychological division suggests that there is a lot of
useful information about Ugo's criminal enterprise. The same
division suggests that Ugo has several as yet undiscovered locations
where he stored ill gotten gains."

Other Information:

Those who have worked with Dr. Dyer before will realize that this is an incredibly brief briefing for him - almost rushed if that were at all possible for Dr. Dyer.   Normally, he would have elaborated greatly on the myth portion but for once gave credit to his staff that they knew to what exactly he referred. Quite unusual for him indeed.

Answers to questions posed during the briefing:

> 'Is there any contemporary evidence that this mans organisation survived?' asks Felice, "could it not be related to an expansion of the Neapolitan mafia's or even the Cosa Nostra itself?

Dyer looks down at some notes, "Miss de Winter, is it. Yes, anyway, the organization was based around the Ugo. According to our information the original organization was eliminated before it really began. More to the point, we have no information to suggest that the Millenaria is alive and active."

>"Did Amy escape before of after the destruction of Carnifex?"

"That is a good question, Mr. Stone," Dyer said. "We do not know the
complete timeline, and no one has ever established one. The timing
is equivocal, and that is why there is interest in her diary, to
learn what she really knows of Carnifex. The fact that her captor
returned to and worked with Ugo suggests she may know a great deal
about Carnifex, and especially the stolen artwork."

>Building a dam seems an extraordinary way to generate electricity
>for one small town. How big was it and is it likely the electricity
>generated from such a project would have been big enough to use for
>other things

"Evidence suggests that the dam would have been sufficient to power
Carnifex several dozen times over. There were no power lines strung
away from Carnifex, suggesting either there was a demand for that
power, or Ugo wished to plan for growth," Dyer replied.

>Its not clear but i assume the statue was on the boat. Do we know
>why the earl went sailing with a great big statue on board. In fact
>do we know anything about the purpose of the voyage and what he did
>Do we know about what happened with that voyage purely by amy's later
>account . Is there any independent account of her escape or could it
>equally be true that she merely moved operations and remained close to zoltan.

"Again, we know nothing about the motives of the Earl. At that time,
however, it was the custom for the nobility to show off their
collections, a sort of counting coop among other nobles," Dyer
replied, "It would not have been considered strange for him to carry
it on the yacht. As for Ms. Goodenough's account, that is all we
have, again this speaks to the interest in the diary by several parties."

>I am slightly confused about the carnifex site. It is not an
>archaeological dig and the main item is not historical. Why is
>sangraal involved.

"Ah, Mr. Stone, the foundations interests are wide. While I agree
this is not an archeological expedition, the piece being relatively
recent, this find is the first indicator of the possibility of a
greater store of lost and stolen artwork. Since the Foundation does
not have a formal antiquities department to date, this research falls
to my department. There are rumors, of course, that the Chairman and
Board of Directors is considering formally establishing an
Antiquities department to handle cases of this nature on the future. "

More as it happens...

 

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